Mary Cassatt: Sara Holding a Cat, 1908, Framed Cat Art Poster, Mary Cassatt cat art

Mary Cassatt: Sara Holding a Cat, 1908, Framed Cat Art Poster

$30.00$120.00

This Mary Cassatt: Sara Holding a Cat, 1908, Framed Cat Art Poster is ideal for a little girl’s bedroom.  The light pink colors of her dress and her blond hair match the color tones of the kitten she holds.  Cassatt focuses on the loving relationship between girl and kitten with this united color scheme. For more information about Mary Cassatt visit her main page. 

8×1012×1612×1816×2018×2424×36
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ITEM SPECIFICATIONS 

This Mary Cassatt: Sara Holding a Cat, 1908, framed cat art poster printed on thick, durable, matte paper will make a statement in any room. The matte black frame highlights the soft pinks and creams of the original painting.

• Alder, Semi-hardwood frame
• Black in color
• .75” thick
• Acrylite front protector
• Lightweight
• Hanging hardware included

Mary Cassatt: Sara Holding a Cat, 1908, framed cat art poster is available in the following sizes.

8×10

12×18

16×20

18×24

24×36

 

SHIPPING INFORMATION

Prints and posters normally ship within 3-5 days; however, the total delivery time will be approximately 2-4 weeks. For further information, please read our shipping and handling page. 

 

ARTIST BIOGRAPHY

Mary Cassatt (1844-1926, American) was born in a small town in Pennsylvania, and moved to Philadelphia where she started school at age six.  Both her parents were well educated and believed that travel was an integral part of learning.  Thus, Mary was sent abroad to study German and French, along with art, which she had become interested in at an early age.  At Paris’ first World’s Fair in 1855, it is likely that she came across the works of Degas and Pissarro, both of whom would later become her mentors.  From 1861-1865, Cassatt attended the Pennsylvania Academy of Fine Arts, and decided to pursue art as a career.  In 1866, she moved to Paris with her mother and some family friends in order to continue studying art.  Unable to enroll in the École des Beaux-Arts, she became the private student of Jean-Léon Gérôme.  In 1871, she returned to Pennsylvania, where her father openly refused to support her career as an artist.  After almost giving up painting, she was given a commission by the Archbishop of Pittsburgh to copy two works by Corregio in Parma, Italy.  This allowed her to return to Europe, where she was able to continue her painting.  Cassatt soon became popular in Parma, but even so, she continued to have conflicts with the Paris Salon.  After some time, she was invited to join the Impressionist’s group which only had one other female member, Berthe Morisot, (cat painter) with whom Cassatt became close friends.  Here she also met Edgar Degas, whom she quite admired, and eventually studied under.  Cassatt remained with the Impressionists until around 1886, but afterward started experimenting with other techniques, and eventually broke away from the group.  The 1890’s were her most prolific and creative years.  In the 1900’s, she began to concentrate almost exclusively on mother and child scenes where a cat is sometimes present to accentuate the idea of motherhood and domesticity.  However, almost totally blind, Cassatt had to cease painting in 1914.  She died in France in 1926, and was buried in the family vault just outside Paris.

 

 

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